#DXO PHOTOLAB 3 PRIME NOISE REDUCTION SOFTWARE#
#DXO PHOTOLAB 3 PRIME NOISE REDUCTION TRIAL#
#DXO PHOTOLAB 3 PRIME NOISE REDUCTION PLUS#
#DXO PHOTOLAB 3 PRIME NOISE REDUCTION FREE#

#DXO PHOTOLAB 3 PRIME NOISE REDUCTION SOFTWARE#

I think that DxO Labs has shown with PhotoLab 3 that it is really possible to have at an affordable price a really complete and powerful post production software that is configurable in the user interface according to our real needs. Moreover, unlike other post production software on the market, DxO PhotoLab 3 does not require a monthly or annual subscription: once purchased, DxO PhotoLab 3 is yours forever! Conclusions

#DXO PHOTOLAB 3 PRIME NOISE REDUCTION FREE#

If my test isn’t enough for you, there’s nothing better than doing yours! DxO PhotoLab 3 can be downloaded free of charge and can be used for 30 days without limitations so you can try what I have illustrated in this article and much more.

#DXO PHOTOLAB 3 PRIME NOISE REDUCTION TRIAL#

Not to forget the DxO PRIME tool for noise removal, which in fact retires the good old Dfine 2 implementing a new algorithm that can recover even the more extreme situations.ġ0 – Free trial for 30 days and no subscription

#DXO PHOTOLAB 3 PRIME NOISE REDUCTION PLUS#

Among them we find for example the new DxO ClearView Plus able to remove the mist effect effectively and without the creation of artifacts and the Lens Sharpness that exploits the maximum from the DxO Labs optical modules allowing a refined pre-sharpening that returns a sharpness to the image that would be difficult to recover even with more complex actions on Photoshop. If with Nik Collection by DxO we fell in love with the Structure of Viveza 2 or Dfine 2 in noise management, in DxO PhotoLab 3 we will find these tools completely renewed and with native DxO Labs algorithms.

One of the strengths of the Nik Collection by DxO(and one of the many improvements needed in Adobe Lightroom) are the tools related to detail adjustments, intended as contrast (high, medium and low frequency) and noise reduction.

In addition, those already known in Viveza 2 have been completely reconfigured with proprietary algorithms of DxO Labs, allowing you to get even finer adjustments and take advantage of the optical modules we talked about earlier: if you were like me in love with Structure on Viveza 2, you’ll be amazed. Actually, it goes much further, because in addition to the basic controls you found on Viveza 2 there are some additional ones related to lights, color and detail. DxO PhotoLab 3 responds to this request and implements Viveza 2’s U-Point technology. Surely it is something acceptable if done in the right way, but think how nice if you could use Viveza 2 directly on the RAW. There is only one problem: when I want to use this tool I have to create a TIFF copy of the image or a new layer on Ps. It’s been a critical part of my workflow since I’ve had memory, and I’m unlikely to do without it in the future. Thanks to the U-Point technology I can create really accurate selections and act locally in ways that I can only dream of on Lightroom. You know, I’m in love with Viveza 2 in the Nik Collection since the real 1.0 edition. I’ve always wondered why Lightroom has never evolved on this aspect since the organization of the workspace should be the priority of every post production flow, but well that DxO Labs has not neglected this important aspect. However, and despite the novelties introduced by the latest versions, Lightroom has a very rigid user interface that pushes us to follow a precise flow of post production that often and willingly is not the optimal one for us.ĭxO PhotoLab 3 overcomes this limitation with a panel structure configurable at will: each tool can be rearranged according to our taste within thematic panels (Histogram, Essential Tools, Light, Color, Detail, Geometry and DxO ViewPoint) and each of these panels can be unhooked and brought of the work area for greater control and precision, as in Photoshop itself for example. Without a doubt, Adobe Lightroom is the most widely used image post production software at the moment, thanks to the undisputed domination of its elder brother Adobe Photoshop, with which it shares the same engine (Camera Raw) and with which it is sold.

Dxo photolab 3 prime noise reduction